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安吉老庄山居

以月光为基础，一方面通过光将酒店自然野趣的整体感受传达给客人；另一方面在照明方式上更多运用传统、有效的照明方式，让光退后为背景。

公共区建筑应“浮”于山林。为此，我们照亮了建筑出挑的屋檐，弱化了立面。远远看去，微微发光的屋顶在山林之间若隐若现，如同漂浮。尤其当从高处望去，暗暗的屋顶四周光线弥散而出，好似微光云海中片片浮岛。

客房别墅建筑倚山而建，应“隐”于山林。基于此，客房别墅基本不做建筑的照明，让客房内的光自然透出，只是在阳台位置点亮一盏落地灯。从山下仰望，就只看到别墅、密林和光线交织在一起，难分彼此。

道场建筑是作为整间酒店的精神符号存在的，应“显”于山林。光线都被设置在这座全竹编建筑的内部，树叶造型的建筑屋顶被托起，在酒店所有的区域都能清晰的看到。通往道场的路狭窄而崎岖，就地取材的石块垒就的台阶，在低尺度的光线下显露出朴素的美感。

借助建筑的微弱照明，剪影出植物尤其是芦苇和茅草的形态，让野生的力量被清晰的感受到；借鉴中国山水画留白的方式，照亮几棵关键的树，以贯穿酒店的水景为镜，倒影出来诗歌般的朴素田园意境。

我们将室内空间亮度设定在一个相对暗的状态，但因为空间中白色和浅木（竹）色偏多，所以尽管暗，却仍然呈现出一种低对比度的柔和的舒适感。以各个空间中大量的竹元素为照明表现的主体，当光和这些竹元素结合之后会产生丰富的影，营造出一种自由的神秘气息。

光从自然中来，又回到自然中去。

Laozhuang Resort, Anji

It uses moonlight as basis, conveying natural atmosphere to customers through light, and use more traditions on lighting methods. effective method of illumination. Light is set as background.

The construction of common space should be “floating” on the mountain forest. Thus, the eave situated on the outside of the building is illuminated, and the elevation is weakened. Seeing from a distance, the shimmery roof is looming in the mountains as if it is floating. Especially when watched from height, light diffuses from the dark roof, which seems like floating lands on a glimmering sea of clouds.

The guest room villa is built among the mountain, and should be “hidden” in the mountain forest.Therefore, there is only one floor lamp on the balcony, and no outdoor lighting of the villa. Light comes from the guest room naturally. Looked up from the bottom of the mountain, villas, dense forests and light are interwoven with each other.

As the spiritual symbol of the hotel, ashram architecture should be “highlighted” in the mountain forest. Light is set inside the plaited bamboo architecture. When darkness falls and light is on, the leaf shaped roof seems to be lifted. It can be seen across the hotel. The path to the ashram is narrow and rugged. Steps are made of local stones, forming a picture of plain beauty in the dim light.

With the weak illumination of the building, one can see the beauty of silhouette of plants, especially reed and thatch, and feel the power of wild strongly. using how Chinese paintings leave blanks on the landscape, highlight several key trees, Water through the hotel is used as a mirror, reflecting the poetical and plain artistic conception of countryside.

brightness of the space is set in a relatively dark state. White and light wood (bamboo) color are dominant in the space, which brings the comfortable feeling of low contrast and harmony even in dark environment..It uses abundant bamboo elements from various spaces as the main body of the lighting. Rich shadows can be produced after the combination of light and bamboo elements, generating an unique mystique.

light comes from nature and goes back to nature.